Annisquam Light - - 1941, Lithograph.

Stuckey 111. Edition 75. Signed and annotated Ed/75 in pencil.

Image size 7 3/4 x 11 1/4 inches (197 x 286 mm); sheet size 12 1/4 x 16 5/8 inches (311 x 422 mm).

A superb, richly-inked impression, on cream wove paper, with full margins (1 to 2 5/8 inches), in excellent condition.

Collections: Johnson Museum of Art (Cornell University), Library of Congress.

SOLD

Maine Lobsterman - - 1944, Lithograph.

Stuckey 144. Edition 210. Signed in pencil.

Image size 8 3/16 x 12 inches (208 x 305 mm); sheet size 12 1/8 x 16 inches (308 x 406 mm).

A fine, rich impression, on cream wove paper, with full margins (1 3/8 to 2 3/16 inches), in excellent condition.

The 22nd publication of the Print Club of Cleveland, with the Print Club label.

$650.

Quiet Hour- - 1947, Lithograph.

Stuckey 168. Edition 60. Signed, titled and annotated Ed/60 in pencil.

Image size 8 3/4 x 15 inches (222 x 381 mm); sheet size 11 1/8 x 17 7/8 inches (282 x 454 mm).

A superb, atmospheric impression, with full margins (7/8 to 1 1/2 inch), on heavy cream wove paper, in excellent condition.

Collections: LC purchase, Pennell Fund.

SOLD

Manhattan Gateway- -1948, Lithograph.

Stuckey 176. Edition 60. Signed and annotated Ed/60 in pencil.

Image size 9 5/8 x 18 inches (244 x 457 mm); sheet size 13 11/16 x 20 11/16 inches (348 x 525 mm).

A superb, richly-inked impression, on off-white wove paper, with full margins (1 1/4 to 2 1/4 inches), in excellent condition. Scarce.

Exhibited: Visions of a Nation: Exploring Identity through American Art, Terra Museum of American Art, Chicago, Illinois. August 10, 1996–January 12, 1997. Figures and Forms: Selections from the Terra Foundation for the Arts, Terra Museum of American Art, Chicago, Illinois. May 9–July 9, 2000. On Process: The American Print, Technique Examined, Terra Museum of American Art, Chicago, Illinois. January 13–March 2, 2001. Telling American History: Realism From the Print Collection of Dr. Dorrance T. Kelly, Bruce Museum, Greenwich, Connecticut, August 31–December 31, 2013

Collections: Brown University Library, Cooper Hewitt Smithsonian Design Museum, Metropolitan Museum of Art, Spencer Museum of Art, Terra Foundation for American Art.

“You can peer up close at the softly diminishing glow. You can back away. You can stare through one of the magnifying glasses provided at the entrance to 'Telling American History,' the enthralling new print show at the Bruce Museum in Greenwich, Conn. But you won’t be able to figure out how Stow Wengenroth (1906-1978), the Brooklyn-born master lithographer, managed to bring the diffuse haze of city streetlamps on a damp night to a sheet of inked paper. His riveting scenes of a velvety, darkened city — distant figures trudging through a snow-filled street in 'Lower Fifth Avenue,' an eerily empty sidewalk in 'Quiet Hour,' the deserted walkway of the Brooklyn Bridge in 'Manhattan Gateway' — are among the high points of this show...” —Sylviane Gold, The New York Times, Sept. 5, 2013.

SOLD

Grand Central- -1949, Lithograph.

Stuckey 183. Edition 40. Signed and annotated Ed/40 in pencil.

Image size 8 3/4 x 15 15/16 inches (222 x 405 mm); sheet size 12 5/8 x 18 5/8 inches (321 x 473 mm).

A superb, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 2 1/4 inches), in excellent condition. Scarce.

Exhibited: Bruce Museum, Telling American History: Realism from the Print Collection of Dr. Dorrance T. Kelly, 2013.

A view from the upper level of midtown Manhattan's world-famous beaux-arts landmark Grand Central Terminal. With 750,000 visitors daily, Grand Central Terminal is one of the most visited destinations in New York City, second only to Times Square.

SOLD

Serenity- - 1951, Lithograph.

Stuckey 199. Edition 100. Signed, titled and annotated Ed/100 in pencil.

Image size 11 3/4 x 17 7/8 (298 x 454 mm); sheet size 14 x 19 7/8 inches (356 x 505 mm).

A fine impression, on cream wove paper, with full margins (7/8 to 1 1/4 inches), in excellent condition.

SOLD

Marshall's Point Light- - 1954, Lithograph.

Stuckey 219. Edition 60. Signed, titled and annotated Ed/60 in pencil.

Image size 10 13/16 x 15 7/8 inches (275 x 403 mm); sheet size 14 x 20 inches (356 x 508 mm).

A fine impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition.

SOLD

Woodland Ledge - - 1960, Lithograph.

Stuckey 261. Edition c. 50. Signed in pencil.

Image size 8 5/6 x 11 15/16 (211 x 304 mm); sheet size 11 1/8 x 15 1/16 inches (282 x 383 mm).

A fine impression, on white wove paper, with full margins (1 1/4 to 1 1/2 inch), in excellent condition. Commissioned by the California Society of Printmakers.

The subject of this work is a rock formation near Corea, Maine, close to Arcadia National Park.

Collection: LC.

$450.

Windy Shore (Oqunquit, Maine)- - 1964, Lithograph.

Stuckey 294. Edition 60. Signed, titled and annotated Ed/60 in pencil.

Image size 10 x 15 7/8 inches (254 x 403 mm); sheet size 13 1/8 x 20 inches (333 x 508 mm).

A fine impression, on cream wove paper, with full margins (1 1/4 to 2 3/8 inches); masking tape stains on the four sheet edges, verso; otherwise in excellent condition.

$700.