E d w a r d = A u g u s t = L a n d o n - - 1 9 1 1 - 1 9 8 4


Modernist Abstration,

 

Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he travelled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting ''Memorial Day'' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938.

In the late 1930s, Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940.

Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, ''Serigraph Quarterly,'' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon travelled to Norway, where he researched the history of local artistic traditions and produced the book ''Scandinavian Design: Picture and Rune Stones, 1000 B.C. to 1100 A.D.''. He also taught serigraphy and organised print exhibitions, including a show of his own work at the Unge Kunstneres Samfund in Oslo. In Stockholm, Sweden, Landon lectured on serigraphy under the auspices of the United States Information Agency. He exhibited with the National Serigraph Society (1940-60), the American Colour Print Society (1945-65), the Boston Printmakers (1955-70), and the Northwest Printmakers (1950-60). The Philadelphia Print Club sponsored a solo show of his work in 1953.

Edward Landon''s serigraphs are included in major American and International museum collections, including the Bibliotheque National, Paris; Hood Museum of Art (Dartmouth); Moderna Museet, Sweden; Tel Aviv Museum, Israel; Turku Museum, Finland; Victoria and Albert Museum, England; Boston Museum of Fine Arts; British Museum; Carnegie Museum of Art; Cincinnati Museum of Art; National Museum of American Art; Portland Art Museum; Seattle Art Museum; US Library of Congress; Wadsworth Atheneum Museum of Art; Whitney Museum of American Art; Yale University Art Gallery.

 


Arrangement with Blue Major - -  1941, Color Serigraph.

Ryan 9. Edition 40. Signed, titled, and annotated Edition 40 in pencil.

Image size 15 x 9 3/4 inches (381 x 248mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm).

A fine impression, with fresh colors, on cream wove paper, the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition.

Included in the ‘Artist’s for Victory’ exhibition at the Metropolitan Museum of Art in 1942.

Collections: Asheville Art Museum, Five Colleges and Historic Deerfield Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and Springfield Museum of Fine Arts.

$1800.


Counterpoint- -  1942, Color Serigraph.

Ryan 45. Edition 25. Signed and dated 1942 in pencil.

Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 16 15/16 inches (379 x 430 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (5/8 to 1 3/8 inches). Minor surface scuffs in the image, visible only in raking light; slight toning to the paper within a previous mat opening, otherwise in good condition. Scarce

Exhibited: The American Scene: Prints from Hopper to Pollock, Stephen Coppel, The British Museum, 2008.

Reproduced in: A Spectrum of Innovation: Color in American Printmaking, David Acton, New York and London, 1990; American Screenprints, Reba and Dave WIlliams, New york, 1987; The American Scene: Prints from Hopper to Pollock, Stephen Coppel, The British Museum, 2008.

Collections: Albright-Knox Art Gallery,The British Museum, Georgetown University (Special Collections), National Gallery of Art, Smithsonian American Art Museum, Worcester Art Museum.

$4000.


The French Farm- -  1942, Color Serigraph.

Ryan 86. Edition 50. Signed, titled and annotated Edition 50 in pencil.

Image size 12 x 18 inches (305 x 457 mm); sheet size 15 x 21 inches (381 x 533 mm).

A fine impression, with fresh colors, on cream wove paper; full margins (1 1/4 to 1 5/8 inches), in excellent condition. Scarce. Stamped verso COPYRIGHT EDWARD LANDON 1981. 

Collection: National Gallery of Art

$2800.


River View - -  1942, Color Serigraph.

Ryan 159. Edition 50. Signed in pencil in the image, lower right. Titled, dated, and annotated 9 COLORS – 50 PRINTS in the screen, bottom left margin.

Image size 12 x 16 inches (305 x 406 mm); sheet size 13 1/8 x 20 inches (333 x 508 mm).

A fine impression, with fresh colors, on cream laid paper, with full margins (7/16 to 2 inches), in excellent condition.

Collection: Pennsylvania Academy of the Fine Arts.

$450.


Salient in February - - 1945, Color Serigraph.

Ryan 166. Edition 25. Signed in pencil. Titled, dated, and annotated ED. 40 in pencil, bottom left sheet edge.

Image size 9 x 11 inches (229 x 279 mm); sheet size 12 3/4 x 16 inches (324 x 406 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 7/8 to 2 5/8 inches), in excellent condition.

$1200.


Buoy - - 1945, Color Serigraph.

Ryan 27. Edition 35. Signed in pencil in the image, lower right. Titled, dated and annotated 6 COLORS – 35 PRINTS in the screen, bottom left margin.

Image size 15 5/16 x 8 5/16 inches (389 x 211 mm); sheet size 18 3/4 x 11 7/8 inches (476 x 302 mm).

A fine impression, with fresh colors, on cream laid paper, with full margins (1 11/16 to 1 7/8 inches).

Collection: Whitney Museum of American Art.

SOLD


Nocturnal Adversary - - 1946, Color Serigraph.

Ryan 137. Edition 50. Signed in pencil in the image, lower right. Titled, dated and annotated 6 COLORS EDITION 50 in the screen, bottom left margin.

Image size 14 5/8 x 18 1/2 inches (371 x 470 mm); sheet size 17 x 22 inches (432 x 559 mm).

A fine impression, with fresh colors, on cream wove paper; full margins (1 1/8 to 2 inches), in excellent condition.

Collection: Whitney Museum of American Art.

$900.


Now, Voyager - - 1946, Color Serigraph.

Ryan 141. Edition 25. Signed in pencil in the image, lower right. Titled, dated and annotated 25 PRINTS - 5 COLORS in the screen, top center margin.

Image size 10 1/2 x 15 5/8 inches (267 x 397 mm); sheet size 13 x 19 inches (330 x 483 mm).

A fine impression, with fresh colors, on cream wove paper; full margins (1 1/4 to 2 inches), in excellent condition.

$900.


Chinoiserie - - 1947, Color Serigraph.

Ryan 36. Edition 50. Signed in pencil in the image, lower right. Titled, dated and annotated 4 COLORS – EDITION 50 in the screen, bottom center margin.

Image size 11 x 8 7/16 inches (279 x 214 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm).

A fine impression, with fresh colors, on cream Japan paper, with full margins (1 5/16 to 1 1/2 inches), in excellent condition.

$800.


Forms in White - - 1950, Color Serigraph.

Ryan 85. Edition 30. Signed in pencil. Titled, dated, annotated ED. 30 and 5 COLORS in the screen, bottom center sheet edge.

Image size 11 1/2 x 15 3/8 inches (292 x 391 mm); sheet size 14 x 17 1/2 inches (356 x 445 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 to 1 3/8 inches), in excellent condition.

Collection: Smithsonian American Art Museum.

$850.


Nothing Begins, Nothing Ends - -  1951, Color Serigraph.

Ryan 140. Edition 30. Signed, titled, and numbered 22/30 in pencil.

Image size 9 x 12 inches (229 x 305 mm); sheet size 11 x 14 inches (279 x 356 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 inch), in excellent condition.

SOLD


Dark Vessel - - 1952, Color Serigraph.

Ryan 51. Edition 50. Signed, dated, and titled in pencil.

Image size 14 x 6 inches (356 x 152 mm); sheet size 17 x 8 1/2 inches (432 x 216 mm).

A fine impression, with fresh colors, on cream wove paper; full margins (1 to 1 3/4 inches), in excellent condition.

$750.


Exhortation (Priest) - - 1957, Color Serigraph.

Ryan 72. Edition 28. Signed, titled, and numbered 21/28 in pencil.

Image size 17 3/4 x 9 1/8 inches (451 x 232 mm); sheet size 20 1/2 x 11 inches (521 x 279 mm).

A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with margins (13/16 to 1 5/8 inches), in excellent condition.

$750.


Evening - - 1958, Color Serigraph.

Ryan 71. Edition 25. Signed, titled, and annotated Ed. 25 in pencil.

Image size 12 x 18 inches (305 x 457 mm); sheet size 16 x 22 1/4 inches (406 x 565 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 7/8 to 2 1/4 inches), in excellent condition.

$850.


Time Silhouette - - 1969, Color Serigraph.

Ryan 201. Edition 30. Signed, titled, and annotated Edition 30 in pencil.

Image size 18 x 9 inches (457 x 229 mm); sheet size 22 x 13 1/4 inches (559 x 336 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (2 to 2 1/4 inches), in excellent condition.

Collection: National Gallery of Art

$800.


Flyable Objects Identified - - 1969, Color Serigraph.

Ryan 83. Edition 30. Signed, titled, and annotated Edition 30 in pencil.

Image size 12 x 18 inches (305 x 457 mm); sheet size 15 x 21 inches (381 x 533 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 1/4 to 1 11/16 inches), in excellent condition.

$750.


Astral Comic - - 1978, Color Serigraph.

Ryan 12. Edition 25. Signed, titled, and annotated Edition 25 in pencil.

Image size 15 9/16 x 10 inches (395 x 254 mm); sheet size 18 1/2 x 12 3/4 inches (470 x 324 mm).

A superb, painterly impression, with fresh colors, on cream wove paper, the full sheet with margins (1 1/4 to 1 1/2 inches), in excellent condition.

$850.


Inscape - - 1982, Color Serigraph.

Ryan 105. Edition 24. Signed, titled, and annotated Edition 24 in pencil.

Image size 10 x 14 inches (254 x 356 mm); sheet size 12 7/8 x 17 inches (327 x 432 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (1 1/8 to 1 3/4 inches), in excellent condition.

$650.


Ego Trip - - 1983, Color Serigraph.

Ryan 65. Edition 20. Signed, titled, and annotated Edition 20 in pencil.

Image size 9 9/16 x 6 5/16 inches (243 x 160 mm); sheet size 13 x 9 1/2 inches (330 x 241 mm).

A fine impression, with fresh colors, on off-white wove paper, with full margins (1 3/8 to 2 inches), in excellent condition.

A self-portrait.

$350.


Untitled Fantasy - - 1983, Color Serigraph.

Ryan 214. Edition 30. Signed, titled, and annotated Edition 30 in pencil.

Image size 12 1/16 x 5 9/16 inches (306 x 141 mm); sheet size 15 x 10 inches (381 x 254 mm).

A fine impression, with fresh colors, on off-white Japan, with full margins (1 to 3 inches), in excellent condition.

$750.


I Surrender, Dear - - 1983, Color Serigraph.

Ryan 100. Edition 25. Signed, titled, and annotated Edition 25 in pencil.

Image size 7 3/4 x 12 3/8 inches (197 x 314 mm); sheet size 15 x 10 inches (381 x 254 mm).

A fine impression, with fresh colors, on cream wove paper, with full margins (7/8 to 1 3/8 inches), in excellent condition.

SOLD


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