City Lights - - 1933, Wood Engraving.

Edition 200. Signed, titled Lights, and annotated No 2/200 for Howard M. Chapin in pencil. Initialed in the block, lower right.

Image size 6 1/8 x 4 3/4 inches (156 x 121 mm), sheet size 9 3/8 x 7 1/4 inches (238 x 184 mm).

A fine, richly-inked black impression, on cream wove paper, with full margins (1 1/4 to 1 7/8 inches); a small loss (5/8 inch) in the top right sheet corner, well away from the image, otherwise in excellent condition. Printed by Ernest Roth.

One of four early, self-published wood engravings representing Fritz Eichenberg's first impressions of New York City as an immigrant in 1933, at the height of the depression. He recalls the period ..."exciting safaris into downtown Manhattan, my first ride on the infernal Seventh Avenue Subway, observations of life on the stoops and fire escapes of little Italy, in the streets of Harlem and Williamsburg, visits to the Aquarium and the speakeasies, and the sight of the ominous breadlines of the Bowery...".

Literature and Exhibitions: American Prints 1900 – 1950, Yale University Art Gallery, May 10 – August 31,1983. Representing America: The Ken Trevey Collection of American Realist Prints, University of California, Santa Barbara, 1995.

Collections: Amon Carter Museum of American Art, Binghampton University Art Museum, David Owsley Museum of Art, Museum of the City of New York, Pennsylvania Academy of Fine Arts, Pratt Institute, Smithsonian American Art Museum, Rhode Island School of Design, Terra Foundation for American Art, Yale University Art Gallery.

SOLD

The Aquarium - - 1933, Wood Engraving.

Edition 200. Signed and titled in pencil. Initialed in the block, lower right.

Image size 6 1/4 x 4 5/8 inches (159 x 116 mm), sheet size 12 x 8 15/16 inches (305 x 227 mm).

A superb, richly-inked impression, on pale yellow wove paper, the full sheet with margins (2 1/8 to 3 1/8 inches), in excellent condition.

One of four early, self-published wood engravings representing Fritz Eichenberg's first impressions of New York City as an immigrant in 1933, at the height of the depression. He recalls the period ..."exciting safaris into downtown Manhattan, my first ride on the infernal Seventh Avenue Subway, observations of life on the stoops and fire escapes of little Italy, in the streets of Harlem and Williamsburg, visits to the Aquarium and the speakeasies, and the sight of the ominous breadlines of the Bowery..."

Collections: AD & A Museum (UC Santa Barbara), Guilford College Art Gallery, Princeton University Library, Yale University Art Gallery.

$1100.

The Steps - - 1933, Wood Engraving.

Edition 200. Signed, titled, and annotated Ed. 200 in pencil. Initialed in the block, lower right.

Image size 6 1/4 x 4 3/4 inches (159 x 121 mm), sheet size 12 x 8 7/8 inches (305 x 225 mm).

A superb, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 3 1/2 inches), in excellent condition.

One of four early, self-published wood engravings representing Fritz Eichenberg's first impressions of New York City as an immigrant in 1933, at the height of the depression. He recalls the period ..."exciting safaris into downtown Manhattan, my first ride on the infernal Seventh Avenue Subway, observations of life on the stoops and fire escapes of little Italy, in the streets of Harlem and Williamsburg, visits to the Aquarium and the speakeasies, and the sight of the ominous breadlines of the Bowery..."

Collections: Smithsonian American Art Museum, Yale University Art Gallery.

$1600.

The Subway (Sleep) - - 1933, Wood Engraving.

Edition 200, a proof before the numbered edition. Signed in pencil. Initialed in the block, lower right.

Image size 6 1/4 x 4 3/4 inches (159 x 121 mm), sheet size 12 x 9 inches (305 x 229 mm).

A fine, black impression, on cream wove paper, with full margins (2 to 2 7/8 inches); slight toning in the outer margins, otherwise in excellent condition. Printed by Ernest Roth.

One of four early, self-published wood engravings representing Fritz Eichenberg's first impressions of New York City as an immigrant in 1933, at the height of the depression. He recalls the period ..."exciting safaris into downtown Manhattan, my first ride on the infernal Seventh Avenue Subway, observations of life on the stoops and fire escapes of little Italy, in the streets of Harlem and Williamsburg, visits to the Aquarium and the speakeasies, and the sight of the ominous breadlines of the Bowery..."

Literature and Exhibitions: American Prints 1900 – 1950, Yale University Art Gallery, May 10 – August 31,1983. L’Amérique de la Dépression: Artistes Engagés des Années 30, Musée-Gallerie de la Seita, Paris, 1996; Pressed In Time: American Prints 1905-1950, Henry E. Huntington Library and Art Gallery, San Marino, 2007; The American Scene on Paper; Prints and Drawings from the Schoen Collection, Georgia Museum of Art, University of Georgia, 2008; American Seen, The Hunter and Cathy Allen Collection of Social Realist Prints, Ackland Art Museum, Jan. 31, 2014 - April 13, 2014.

Collections: Art Institute of Chicago, Binghamton University, Brooklyn Museum, Crystal Bridges Museum of American Art, Davis Museum (Wellesley College), Farnsworth Art Museum, Metropolitan Museum of Art, National Gallery of Art, RISD Museum, Smithsonian American Art Museum, Terra Foundation for American Art, UC Santa Barbara.

SOLD

St. Francis Preaching to the Birds - - 1935, Wood Engraving.

Edition none, proofs only. Signed and titled Preaching to the Birds in pencil, signed in the block, lower right.

Image size 7 15/16 x 6 inches (202 x 152 mm); sheet size 11 5/16 x 8 3/4 inches (303 x 222 mm).

A fine, black impression, with full margins (1 1/8 to 1 7/8 inches), on cream wove paper, in excellent condition. Scarce.

Created for the New York City WPA. Ex. collection Audrey McMahon, Director, New York City WPA Art Project.

Collection: U. S. General Services Administration Fine arts Collection, Metropolitan Museum of Art, New York Public Library, Philadelphia Museum of Art.

$800.

The Adventure of Hans Pfaall from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 10 3/4 x 8 3/16 inches (273 x 208 mm).

A fine, black impression, with full margins (1 11/16 to 3 9/16 inches), on cream wove paper, in excellent condition.

SOLD

The Black Cat from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 10 3/4 x 7 3/8 inches (273 x 187 mm).

A fine, black impression, with full margins (1 7/8 to 3 1/16 inches), on cream wove paper, in excellent condition.

SOLD

A Descent into the Maelstrom from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 8 1/4 x 6 inches (210 x 152 mm).

A fine, black impression, with full margins (1 1/4 to 1 1/2 inches), on cream wove paper, in excellent condition.

$450.

The Facts in the Case of M. Valdemar from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed and annotated E. A. Poe in pencil.

Image size 5 9/16 x 3 9/16 inches (141 x 90 mm); sheet size 10 3/4 x 7 3/8 inches (273 x 187 mm).

A fine, black impression, with full margins (2 to 3 inches), on cream wove paper, in excellent condition.

SOLD

The Imp of the Perverse from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 12 x 9 inches (305 x 229 mm).

A fine, black impression, with full margins (2 3/4 to 3 13/16 inches), on cream Japan, in excellent condition.

$450.

The Man of the Crowd from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 12 x 9 inches (305 x 229 mm).

A fine, black impression, with full margins (2 1/2 to 3 5/8 inches), on cream Japan, in excellent condition.

SOLD

Mellonta Tauta from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 10 3/4 x 8 3/16 inches (273 x 208 mm).

A fine, black impression, with full margins (1 11/16 to 3 9/16 inches), on cream wove paper, in excellent condition.

SOLD

Part II, Ornamental Vignette from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 3 7/8 x 3 3/8 inches (98 x 86 mm); sheet size 9 x 5 15/16 inches (229 x 151 mm).

A fine, rich impression, in brick red ink, with full margins (1 to 2 13/16 inches), on cream Japan, in excellent condition.

$450.

The Sphinx from the suite The Tales of Edgar Allan Poe

1943, Wood Engraving.

Edition not stated. Signed in pencil.

Image size 5 1/2 x 3 9/16 inches (140 x 90 mm); sheet size 9 1/2 x 7 91/16 inches (241 x 192 mm).

A fine, black impression, with full margins (2 inches), on cream Japan, in excellent condition.

SOLD

Renowned for its anti-establishment humor, Encomium Moriae (In Praise of Folly), by Desiderius Erasmus, was first published in 1511. Long fascinated by the writings of Erasmus, Fritz Eichenberg made selections from the Latin for the subjects of this series of graphic works, freely translating them into English as text to accompany his art.

The wood engravings were printed by James Lanier of Aquarius Press, under the supervision of the artist, on hand made Japanese mulberry paper. The texts are set in Monotype Janson, and printed at The Press of A. Colish in Mount Vernon, New York, on Strathmore Impress paper. Typography and design are by Bert Clarke.

III - The Follies of Worshipping Idols - - 1972, Wood Engraving.

Edition 150. Signed in pencil. Signed in the block, lower left.

Image size 18 x 12 inches (457 x 305 mm); sheet size 20 x 13 7/8 inches (508 x 352 mm).

A superb, black impression, on cream Japan, with full margins (13/16 to 1 1/8 inches), in excellent condition. With the accompanying text folder included in the original portfolio.

$550.

V - The Follies of Teaching - - 1972, Wood Engraving.

Edition 150. Signed in pencil. Signed in the block, lower left.

Image size 18 x 11 7/8 inches (457 x 302 mm); sheet size 20 x 13 7/8 inches (508 x 352 mm).

A superb, black impression, on cream Japan, with full margins (13/16 to 1 3/16 inches), in excellent condition. With the accompanying text folder included in the original portfolio.

SOLD.

VIII - The Follies of the Court - - 1972, Wood Engraving.

Edition 150. Signed in pencil. Signed in the block, lower right.

Image size 18 x 11 15/16 inches (457 x 303 mm); sheet size 20 x 13 7/8 inches (508 x 352 mm).

A superb, black impression, on cream Japan, with full margins (7/8 to 1 inch), in excellent condition. With the accompanying text folder included in the original portfolio.

$550.

IX - The Follies of the Popes - - 1972, Wood Engraving.

Edition 150. Signed in pencil. Signed in the block, lower right.

Image size 18 x 12 inches (457 x 305 mm); sheet size 20 x 13 7/8 inches (508 x 352 mm).

A superb, black impression, on cream Japan, with full margins (13/16 to 1 1/8 inches), in excellent condition. With the accompanying text folder included in the original portfolio.

$550.

The Wolf and the Little Kids from the suite Fables with a Twist

1975-76, Wood Engraving.

Artist’s Proof apart from the edition c. 50. Signed, titled, and annotated Artist’s Proof in pencil. Signed in the block, lower right.

Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm).

A fine, richly-inked imressioni, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with linotype in red and descriptive text in black.

$450

A Visit to the King of Waters from the suite The Adventurous Simplicissimus

1977, Wood Engraving.

Artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right.

Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm).

A fine, richly-inked impression, on cream wove paper with full margins (1 3/8 to 2 inches), in excellent condition.

$450

Simplicius Farewell to the World from the suite The Adventurous Simplicissimus

1977, Wood Engraving.

Artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right.

Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm).

A fine, richly-inked impression, on cream wove paper with full margins (1 1/2 to 2 inches), in excellent condition.

SOLD

The First Battle from the suite The Adventurous Simplicissimus

1977, Wood Engraving.

Artist's proof apart from the edition of 50. Signed in pencil, titled, and annotated A. P. in pencil. Signed in the block, lower right.

Image size 13 7/8 x 12 inches (352 x 305 mm); sheet size 18 1/2 x 14 inches (470 x 356 mm).

A fine, richly-inked impression, on cream wove paper with full margins (1 to 3 1/2 inches), in excellent condition.

$450

The Merode Brotherhood from the suite The Adventurous Simplicissimus

1977, Wood Engraving.

Artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right.

Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 1/8 inches (445 x 384 mm).

A fine, richly-inked impression, on cream wove paper with full margins (1 7/16 to 1 15/16 inches), in excellent condition.

$450

The Pimp

1980, Wood Engraving.

Artist's proof before the edition. Signed in pencil. Signed in the block, lower right.

Image size 12 x 9 3/4 inches (305 x 248 mm); sheet size 18 x 14 inches (457 x 356 mm).

A fine, richly-inked impression, on cream wove paper, with full margins (2 3/16 to 3 1/2 inches), in excellent condition.

$750.