Houston
Street Burlesque
-
1928, Lithograph.
Robinson and Pirog
37. Edition 50. Signed and dated in pencil.
Image size 9 13/16
x 8 inches (249 x 203 mm); sheet size 15 9/16 x 11 1/2 inches (395 x 292
mm).
A fine, rich impression,
with full margins (1 5/8 to 2 15/16 inches), on cream wove paper, in excellent
condition.
Exhibited: Weyhe Gallery,
1928; Downtown Gallery, 'American Print Makers Second Annual Exhibition',
1928; Print Club of Philadelphia, 'Modern Lithographs', 1929; Mexico City,
1929; American Institute of Graphic Arts, 'Fifty Prints of the Year',
1930 (traveling exhibition); June 1 Gallery, 'The American Women Printmaker',
1985; Loyola Marymount University, 'The Spirit of the City: American Urban
Paintings, Prints and Drawings', 1986; Sylvan Cole Gallery, 'Mabel Dwight
Lithographs', 1986; American Federation of Arts, New York, 'In the Eye
of the Storm; An Art of Conscience, 1930-1970.
Illustrated: The
New York Times, Dec. 2, 1928; New York World, Dec. 9, 1928; The
Arts, March, 1930; Jewell 1930; AIGA 1932; Cary 1930; Salpeter 1937;
In the Eye of the Storm: An Art of Conscience, 1930-1970, Francis
K. Pohl, Chameleon Books Inc., New York, NY, 1995.
Collections: NYPL,
PMA, Yale.
Minsky’s National
Winter Garden was a well known burlesque theater on Manhattan’s
Lower East Side. Dwight made quick sketches at Minsky’s, hiding
her work from view with a large handbag. She also illustrated an article,
“The Last Days of Burlesque” for Vanity Fair (August 1929)
with scenes from the burlesque theater.
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