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Flower Girls - 1934, Color Linocut.

White 28. Edition 60. Signed, titled, numbered 2/60 in pencil, in the image, lower left.

Image size 9 7/16 x 8 9/16 inches (240 x 217 mm); sheet size 10 1/4 x 10 1/8 inches (260 x 257 mm).

A brilliant, early impression, on Japanese mulberry, with margins (1/4 to 1 1/8 inches), in excellent condition. The top sheet edge deckled, the other three sides trimmed to, or beyond the marginal areas of color. From 4 blocks, printed in : 1) chrome yellow, 2) spectrum red, 3) permanent blue, 4) Chinese blue.

Exhibited: London, 1936 (Redfern), no. 64. Illustrated in Linocuts of the Machine Age by Stephen Coppel, National Gallery of Australia, 1995. Collections: BM, GM.

SOLD


Tumulus - 1936 Color Linocut.

Glenbow 36, Coppel SA 36. Edition 60. Signed, titled, numbered 1/60 in pencil, in the image, upper left.

Image size 11 3/4 x 8 3/4 inches (298 x 219 mm); sheet size 12 15/16 x 10 1/4 inches (334 x 260 mm).

A brilliant, luminous, early impression, on buff Japanese mulberry tissue, with margins (1/8 to 1 1/8 inches), in excellent condition. From 4 blocks, printed in : 1) venetian red, 2) crimson, 3) viridian, 4) Chinese blue.

"This print was inspired by the prehistoric barrow mounds commonly found in parts of East Anglia." --Coppel, Linocuts of the Machine Age.

Exhibited: London, 1936 (Redfern); Melborne, 1937 (BA). Illustrated in Linocuts of the Machine Age by Stephen Coppel, National Gallery of Australia, 1995. Collections: British Museum, GM.

SOLD


Football - 1937 Color Linocut.

White 40. Edition 60. Signed, titled, numbered 32/60 in pencil, in the image, upper left.

Image size 9 13/16 x 12 7/16 inches (249 x 316 mm); sheet size 11 1/2 x 13 7/8 inches (292 x 352 mm).

A rich, fresh impression, with full margins (1/2 to 1 inches) on cream Japan, in excellent condition.

Exhibited: London, 1937 (Redfern). Illustrated in Linocuts of the Machine Age by Stephen Coppel, National Gallery of Australia, 1995. Collections: BM, GM.

SOLD


Coffee Bar - 1952 Color Linocut.

Glenbow 48. Edition 60. Signed, titled, numbered TP3 in pencil, in the image, lower right and again in the bottom margin.

Image size 8 x 9 inches (263 x 229 mm); sheet size 10 5/8 x 10 inches (270 x 254 mm).

A fine, fresh impression, on Japanese mulberry tissue, with full margins (1/2 to 1 3/8 inches), in excellent condition.

SOLD


Skaters - 1953, Color Linocut.

White 49. Edition 60. Signed, titled, numbered 41/60 in pencil, in the image, upper right.

Image size 7 15/16 x 15 inches (201 x 380 mm); sheet size 10 5/8 x 16 3/4 inches (270 x 425 mm).

A rich, fresh impression, with full margins (1/2 to 2 1/4 inches) on cream Japan, in excellent condition.

This image was initially used as a design for a London Passenger Transport Board poster that Andrews made in the 1930's in collaboration with Cyril E. Power.

Illustrated in Linocuts of the Machine Age by Stephen Coppel, National Gallery of Australia, 1995. Collections: BM, GM.

SOLD


Jesus Falls the Second Time, Station VII - 1977, Color Linocut.

White 69. Edition 60. Signed, titled, numbered 12/60 in pencil.

Image size 12 3/16 x 13 7/8 inches (309 x 352 mm); sheet size 12 x 13 7/8 inches (305 x 352 mm).

A rich, fresh impression, with full margins (1/2 to 1 1/4 inches), on buff fibrous Japan, in excellent condition. From 3 blocks, printed in : 1) orange ochre, 2) viridian, 3) purple madder.

Illustrated in Linocuts of the Machine Age by Stephen Coppel, National Gallery of Australia, 1995. Collections: AM, BM, GM.

SOLD


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